Here's a rough mix of the song "Hipster Turns 30" from our forthcoming Palace Amusements. It's a playful jab at a fictitious uber-trendy character who goes through a sort of "quarter life crisis" when he wakes up on his 30th birthday. Some of the lyrics are exaggerated for comedic effect (can you even buy books on tape anymore?), but you get the idea.
What I always liked about this song is that the bridge is taken from the point of view of the main character who longs for a time when he was younger and "the days would always seem so long". I remember sitting in middle school and watching the clock tick. The hours just seemed to drag on and on. Now they just fly by. You blink and another year has passed.
Hipster Turns 30 (Rough Mix 2) by The Brixton Riot
Signal To Noise // The Brixton Riot
Friday, July 22, 2011
Thursday, July 7, 2011
This is DIY
After posting about our low budget recording setup, I took some quick photos around our "studio". Polaroid effect added for...um, effect.
This is our DIY vocal booth. It's basically two microphone stands in a "V" with a blanket and Lightning McQueen sleeping bag draped over them. We stand in the center of the V when we track vocals. The wall directly behind this setup is covered with a large blue comforter, held up by painters tape. Vocal cheat sheet visible on the left. It gets a little tight in there and since the air conditioning vent rattles, it has to be closed when we track.
One advantage of recording at home is that I get to hoard all of the amps. Not just mine, but all the amps owned by the other band members. I'd like to be on Hoarders one day, surrounded by nothing but amplifiers and guitars. My wife has the same recurring dream, only she wakes up screaming.
More amp and geetar porn.
Finally, here's our computer and the ridiculously small screen. Note the size ratio of said screen with the studio monitors.
Tuesday, July 5, 2011
Baby (Elephant) Steps
It's been a ridiculously long time since this we've given any type of update, so I thought I'd check in and give an accounting of how we've spent the last 9 months.
As we had previously mentioned, all non-album related band activities came to a halt while we finished up Palace Amusements. I'm sorry to say that this meant passing on some wonderful show offers and that always sucks. We made two exceptions for our January 2011 shows with The Seldon Plan as part of their farewell (or hopefully just "see you later") tour. It's weird looking back at the first half of the calendar for 2011 and seeing only two dates. It's our least productive year by far (performance wise, anyway). But the good news is that all of that self-imposed solitude actually worked. We've finished the overdubs and we're halfway through the vocal tracking and a third of the way through mixing. The mixing is being handled by Frank Marchand who has worked on the last few Bob Mould records as well as The Seldon Plan's The Collective Now. The artwork for Palace Amusements is being handled by our good friend, Mr. Chris Gash. Unfortunately, my idea to feature a baby elephant on the cover (partially as a reference to their gestational period and partially as a reference to this album cover) was overruled. We're very excited to have Chris and Frank (and their amazing talents) on our record. On our end of the record needs to wrap by the end of July and it will wrap on time. I say that with certainty because a) we have no other option and b) we are all ready for this thing to come out. Very ready.
We're looking at an early November release date on The Beechfields record label which means that when all is said and done, Palace Amusements will have taken us a ghastly two years to finish. I could write volumes as to why this happened and what we would have done differently, but I won't bore you with these things. There isn't one right or wrong way to make a record, but we definitely discovered one of the wrong ways. In contrast, we knocked out Sudden Fiction in two weekends, but that isn't exactly the right way to go about it either. In the end, most of this comes down to money or a lack of it. All we really want to do is make records and if that means tracking in the spare bedroom and using your son's Lightning McQueen sleeping bag as a vocal booth, then so be it.
Now that we are on the back nine, we are resuming our normal band activities. We had all four members together in a rehearsal room last Tuesday for the first time in six months, which felt kind of like the first day of school. With Chinese food. We're also booking shows again starting with two dates with those fine chaps The Anderson Council (7/29 at Crossroads and 8/26 at Asbury Lanes) and we've got some things in the works for September and beyond but I'm probably getting (way) ahead of myself again.
So that's the update for now, but we'll be around a lot more often.
And I'm back to the makeshift sleeping bag vocal booth.
- Jerry
As we had previously mentioned, all non-album related band activities came to a halt while we finished up Palace Amusements. I'm sorry to say that this meant passing on some wonderful show offers and that always sucks. We made two exceptions for our January 2011 shows with The Seldon Plan as part of their farewell (or hopefully just "see you later") tour. It's weird looking back at the first half of the calendar for 2011 and seeing only two dates. It's our least productive year by far (performance wise, anyway). But the good news is that all of that self-imposed solitude actually worked. We've finished the overdubs and we're halfway through the vocal tracking and a third of the way through mixing. The mixing is being handled by Frank Marchand who has worked on the last few Bob Mould records as well as The Seldon Plan's The Collective Now. The artwork for Palace Amusements is being handled by our good friend, Mr. Chris Gash. Unfortunately, my idea to feature a baby elephant on the cover (partially as a reference to their gestational period and partially as a reference to this album cover) was overruled. We're very excited to have Chris and Frank (and their amazing talents) on our record. On our end of the record needs to wrap by the end of July and it will wrap on time. I say that with certainty because a) we have no other option and b) we are all ready for this thing to come out. Very ready.
We're looking at an early November release date on The Beechfields record label which means that when all is said and done, Palace Amusements will have taken us a ghastly two years to finish. I could write volumes as to why this happened and what we would have done differently, but I won't bore you with these things. There isn't one right or wrong way to make a record, but we definitely discovered one of the wrong ways. In contrast, we knocked out Sudden Fiction in two weekends, but that isn't exactly the right way to go about it either. In the end, most of this comes down to money or a lack of it. All we really want to do is make records and if that means tracking in the spare bedroom and using your son's Lightning McQueen sleeping bag as a vocal booth, then so be it.
Now that we are on the back nine, we are resuming our normal band activities. We had all four members together in a rehearsal room last Tuesday for the first time in six months, which felt kind of like the first day of school. With Chinese food. We're also booking shows again starting with two dates with those fine chaps The Anderson Council (7/29 at Crossroads and 8/26 at Asbury Lanes) and we've got some things in the works for September and beyond but I'm probably getting (way) ahead of myself again.
So that's the update for now, but we'll be around a lot more often.
And I'm back to the makeshift sleeping bag vocal booth.
- Jerry
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